I like to let these pieces just evolve. Here are a few examples...
Sherrill Kahn stamps and a goddess stamp on right |
This piece features limes and turquoises added over a piece I did yesterday. It has Sherrill Kahn stamps, I love her work. It can be seen at www.impressmenow.com/. Several years ago I was fortunate enough to take a 5-day workshop with Sherrill in Sedona where i learned many of her techniques.
Can you see the crack in the plate on the print? |
These pieces too have been overprinted to achieve a more abstract effect. Can you see the cracks in the plates? I'll leave it up to you to decide whether that is an effect you like or not. I think it depends on the piece. It doesn't bother me in either of these prints, but it was more obvious in the original piece and I want you to see how it can be camouflaged by working it into the over all design thus making a more successful final piece.
Watercolor wash applied over all |
Cookie cutter slides This print was accomplished by using Titanium White Fluid Acrylics by Golden applied with a circle cookie cutter and using a credit card to pick up the paint and slide it down the piece in a dragging fashion. I like the more organic nature of these circles, imperfect and subtle. This overprint uses a flowery stencil from Crafters Workshop www.thecraftersworkshop.com/. It has a rather striped effect which I find very interesting. I had used a brayer and just ran a streak of teal down the piece. What kinds of textures and other effects can you obtain using the fabulous "gelli" method? My mind is overflowing with ideas and things I want to try next. And the beauty of this is that it works on paper or fabric, your choice. Either one works beautifully with the gelli printing techniques. |
I like the watercolor wash over the green print too. It's my favorite! Though the one above it is a close second. Your descriptions are very clear and thorough so if there was any question about what you used you have it covered. Thanks for sharing!
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